Jef Geys (1934 - 2018) graduated from the Antwerp Art Academy and settled in Balen, in the Kempen region, where he worked as an art teacher at a girls school for more than 30 years. In fact, this was one of Geys's many ways to criticise society and art - a critique that is a fundamental value in its extensive, diverse and complex work.
Geys has been described as an artist stuck between a regional and international context, cut off from social reality. That is not necessarily true. In many respects, he is a disciple of Marcel Duchamp, who defended the strategy of undisclosed withdrawal. Geys has chosen to build his work on provincial references. All his exhibitions are accompanied by an issue of the newspaper Kempens Informatieblad, which he publishes himself and designs like a local, free circulation newspaper.
One of his most important strategies is subversion, which, as he rightly emphasises, can only ‘happen within the system’. In 1970, Geys was invited to prepare a solo exhibition in the Royal Museum of Fine Arts in Antwerp. He answered with a letter to the museum, - and to the Ministry of Culture, Defense and Justice - proposing to blow up the museum. Nevertheless, the exhibition took place the following year. This is characteristic of his method, which is focused on processes and seeks confrontation: Geys creates situations that are so full of contradictory potential that they threaten to inflate; by dismantling them, he shows the corrupting powers of the present reality even more compellingly.